Music Recording, Production, Editing, Mixing & Mastering Sound Effects Recording, Editing & Mixing for Post-Production Recording for Broadcast and Live Event Production. Many of the world’s greatest and most decorated audio engineers use Pro Tools, across a wide variety of mediums. It’s not the most elegant, versatile, or cutting-edge software, but I truly believe that if you hope to make a living in audio, Pro Tools is the DAW to own. Regardless, chances are Pro Tools was used in some capacity during the creation of your favorite modern movie, television show or album. My home studio setup is based around an iMac with 32GB of RAM and Pro Tools, and can easily handle sessions with over 130 tracks, with dozens of process-intensive plugins.Īlthough Pro Tools has evolved a lot over the decades, it still leaves much to be desired in terms of advanced features and stock capabilities. Pro Tools - originally called Sound Tools when it was released in 1989, is now available in three formats: Pro Tools First (a good starting point for beginners), Pro Tools (a great choice for most home studios), and Pro Tools Ultimate (which you’ll find in commercial and professional studios). Because of this, Pro Tools is compatible with most modern software (plugins, virtual instruments) and hardware (interfaces and controllers, etc.) There’s something to be said about the concept of an “Industry Standard”, and while many of the DAWs that I will cover later in this article are superior to Pro Tools in certain ways, Pro Tools handles enough tasks extremely well to have become the Industry Standard. Most professional studios I’ve worked out of or have visited use Pro Tools as their main DAW, with very few exceptions. I would go as far as saying that if you hope to have a career in audio that Pro Tools is the one DAW that is a must-own. Because of this, Pro Tools is the DAW that I use the most and am the most comfortable with. Most of my audio work is in recording, editing and mixing for music and post-production. Hopefully, this overview of the many DAWs currently available on the market can help you make informed decisions if you’re thinking of purchasing a DAW. There are subtle, and not-so-subtle differences in appearance, workflow and stock capabilities between each of them, and the goal in choosing a DAW is finding one that you feel comfortable with and trust. Having gained experience using virtually every DAW over the past two decades, I can honestly say that there is no objectively best choice. There are so many options when choosing a Digital Audio Workstation (DAW) and purchasing the one that’s right for you can prove to be a daunting task.
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